Between us we get through several graphic novels a month. Some of them probably merit a post but don’t make the cut. That’s mainly because sticking to ‘the best of the best’ helps to showcase the entertainment (and skills) delivered by good graphic novels. Another reason is to avoid disappointing fans of graphic [...]
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There hasn’t been any coverage of touch and/ or handheld gaming in earlier posts, as we’ve seen these technologies as being solely about solitary gameplay. In particular, the Nintendo DS has become the ‘distraction’ of choice for many parents: convenient, portable and isolating. Fortunately 2010 seems set to bring together a series [...] We haven’t gone into hibernation. Just been busy putting together a few posts to send out over the holiday period. We’ll start posting them at the beginning of the Christmas week and thought we’d outline what’s on the way. A ‘Games For Free’ post is going to be first, as there are [...] Just a quick mention for the Wolverine standalone Not Dead Yet. None of us would usually try or buy a Wolverine ’standalone’ collection packaged as a graphic novel. But a Warren Ellis storyline is always worth a glance and Leinil Francis Yu’s artwork drags you in. The action sequences work particularly well.
Blankets by Craig Thompson Craig Thompson’s semi-autobiographical story about first love and growing up in a deeply religious community demonstrates a full range of graphic and storytelling skills. The brushed images are ‘to die for’ and consistently strong across hundreds of pages. The pace and content of the script is skillfully paced [...] 300 by Frank Miller and Lynn Varley The 300 is based more on the Hollywood movie of the same name than exact historical details of the battle at Thermopylae. Nevertheless, it presents a dramatic account of how Leonidas and his Spartans stood against King Xerxes’ massive Persian army. Miller’s composition and execution [...] Charley’s War by Pat Mills and Joe Colquhoun Charley’s War had a dramatic effect on publishers produced battle comics in the UK between the 1950s and the 1980s. The comic’s setting in World War 1 was an indication of what Mills and Colquhoun had in mind, as they turned away from the [...] |
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